PDF, 89 pages Read the story analysis of The Godfather This page is an abstract from our full analysis of The Godfather, one of the most appreciated movies ever and a masterwork of scriptwriting. Counting of the actantial roles The number of actantial roles in The Godfather depends on interpretation. Another story analyst might find a […]
The Godfather – Francis Ford Coppola – The Characters Read more »
PDF, 89 pages Read the story analysis of The Godfather This page is an abstract from our full analysis of The Godfather, one of the most appreciated movies ever and a masterwork of scriptwriting. Genres, registers, tones The question of genres within The Godfather does not appear very complex. The movie stands as the story
The Godfather – Coppola – Genres, registers, tones Read more »
PDF, 89 pages Read the story analysis of The Godfather This page is an abstract from our full analysis of The Godfather, one of the most appreciated movies ever and a masterwork of scriptwriting. Sequence 15. Moving + Michael vs. Kay. 162-166 Cut to: a moving truck with men busy moving pieces of furniture. The men
The Godfather – Francis Ford Coppola – Movie Analysis – Sequence 15 Read more »
PDF, 89 pages Read the story analysis of The Godfather This page is an abstract from our full analysis of The Godfather, one of the most appreciated movies ever and a masterwork of scriptwriting. Sequence 13. The revenge of Michael. 150-155 Here, to underscore the spectacular plot structure effect, we will give each mini-plot a
The Godfather – Coppola – Film Analysis – Sequence 13 Read more »
PDF, 89 pages Read the story analysis of The Godfather This page is an abstract from our full analysis of The Godfather, one of the most appreciated movies ever and a masterwork of scriptwriting. Sequence 11. Death of Apollonia. 118-121 In Sicily, Michael teaches Apollonia how to drive a car. They laugh, joke in Italian
The Godfather – Francis Ford Coppola – Movie Analysis – Sequence 11 Read more »
PDF, 89 pages Read the story analysis of The Godfather This page is an abstract from our full analysis of The Godfather, one of the most appreciated movies ever and a masterwork of scriptwriting. Sequence 9. Michael falls in love with Apollonia – the romance goes on. 105-108 Michael and Apollonia, dressed for this solemn
The Godfather – Francis Ford Coppola – Movie Analysis – Sequence 9 Read more »
PDF, 89 pages Read the story analysis of The Godfather This page is an abstract from our full analysis of The Godfather, one of the most appreciated movies ever and a masterwork of scriptwriting. Sequence 7. Michael falls in love in Sicily. 93-102 Cross-fade on the bright, sunny scene. Three men walk across the countryside
Francis Ford Coppola The Godfather – Movie Analysis – Sequence 7 Read more »
PDF, 89 pages Read the story analysis of The Godfather This page is an abstract from our full analysis of The Godfather, one of the most appreciated movies ever and a masterwork of scriptwriting. Sequence 5. Michael kills Sollozzo and McCluskey. 69-88 Michael and Clemenza return home. The house is now being protected by many
The Godfather – Movie Analysis – Movie Analysis – Sequence 5 Read more »
PDF, 89 pages Read the story analysis of The Godfather This page is an abstract from our full analysis of The Godfather, one of the most appreciated movies ever and a masterwork of scriptwriting. Sequence 3. Sollozzo/Tattaglia move into the attack. 33-56 In continuity in space and time with the previous sequence, but in a
The Godfather – Francis Ford Coppola – Film Analysis – Sequence 3 Read more »
PDF, 89 pages Read the story analysis of The Godfather This page is an abstract from our full analysis of The Godfather, one of the most appreciated movies ever and a masterwork of scriptwriting. Sequence 1. The Marriage. 0-26 A man named Bonasera tells Vito of two „non-Italians“ who beat-up his daughter, were taken into
The Godfather – Francis Ford Coppola – Movie Analysis – Sequence 1 Read more »